Located in the Baoshiqin area of Zhuhai, Zhonghai Bay Area International is defined as a “bridge economic zone” connecting Hong Kong and Macao and a new urban center. The three regions go hand in hand to broaden the new pattern of Zhuhai’s development. Under the economic background, it has been endowed with unprecedented expectations by the gold lettered signboards in the Greater Bay Area of Guangdong, Hong Kong and Macao.
In the future, with the deepening of Guangdong, Hong Kong and Macao and the improvement of regional industries, talent introduction, and the location of bonded area cities, the economic siphon effect has now emerged, occupying the highland of industrial clusters.
The clubhouse space on the 32nd floor is like a rising bright star, overlooking the three places and hanging on the Pearl River with the Lang Lang night. It interprets the charm of the Pearl River, which is firm, soft, comfortable and urgent. It has a deep sense of beauty without excessive decoration, and depicts delicacy and richness.
It symbolizes the struggling spirit of the new rich, which breeds the spirit of embracing all rivers and preparing to take off. Each step and each scene tells of the eclectic cultural temperament and the new context inherited here, which is only for piloting a more magnificent new chapter.
What leaped into my eyes was the barrier of mountains, which was also like the hazy evening mist.The metal grille is ingeniously carved to create a half hidden and mysterious artistic conception, which makes the dimness behind the barrier less straightforward and gives a deeper meaning.
This freehand landscape, interpreted in a modern manner, has turned into a looming totem, a glittering metal mountain stone, and a magnificent billow of “thick ink starts to sparkle, water and sky are the same color” made of stone texture.
You can see your true face only when you reach the stage of waning.
Floating on the river are flying clouds and misty fog. The mysterious contrast between movement and silence, one empty and one real, makes people explore from the original “Tibet”, and makes the oriental implicitness bloom in front of us with modern techniques. The dance is lingering in the air, and the lingering reverie is not only stained.
With a deep understanding of the natural philosophy of Eastern freehand brushwork, the modern posture has been transformed into the reception space like flowing water. The blend of flowers and tea can show the way of a gentleman. It can calm the tedious and trivial things in ink, condense the calm and restrained temperament, and brew the tenacity spirit of not stopping.
The delicate and steady track renders the whole background, forming a simple space of scattered pieces. In the end, the old school’s obsession with money is an appearance. A large amount of white color makes the dark red dotted in it stand out, such as the new identity of the new rich in the film, which is implied in a striking but ethereal form.
The profundity and boldness in these bones are all displayed in a casual and few strokes, but they are insidious. The furniture is arranged closely and combed in contrast, connecting with each other in series, so that the space is filled with power in a calm way, and those who come from the waves can enjoy their hearts.
Rigidity and elegance are the theme temperament of the space. The low-key light color and comfortable leather texture re-examine the scale of indifference, making the space functionality no longer as traditional and formal, and making the friendship between gentlemen full of implicit and sympathetic expression.
The vertically arranged grid is open, and the private and elegant space embraces the vivid and wonderful ideas, as well as the changeable and new vision. All the guests gather here.
The journey started is a new star and sea.
